12/11 with corrections for how I define codecs and media2. Key features: - Play DVD video disc. It combines a powerful media engine with a clean and modern interface to ensure the best user experience. The best free DVD Player for enjoying movies with you loved ones during this pandemic DVD Player - FREE brings DVD and Video playback capabilities to Windows 10 users.
![]() Avi Player For Old Free DVD PlayerAnd many others – see Apple’s link for the complete listThis gets complex because codecs which are created outside of the QuickTime framework will work. These supported codecs include: Apple released an update to their KnowledgeBase website which includes MUCH more detail on what codecs are affected and which ones are not.The short answer is that, depending upon the codec, we may need to convert any older media using soon-to-be-dead codecs into a codec that is more future-proof. These older codecs, which are built upon the QuickTime 7 framework, include:You may have seen the ominous warning in Final Cut about legacy media. Older codecs which use 32-bit encoders and decoders won’t have the support they need to play, which means you lose access to any media stored in one of these older formats.The media is not 32-bit, but the encoders/decoders, which are required to play or record the media, are. Media is recorded and played back using encoders and decoders which are based upon these codecs. There are codecs for stills, audio and video, each optimized for different tasks.What this change means is that if you try to play media which uses one of these older codecs in Catalina, the next version of the macOS AFTER Mojave, your media WILL NOT PLAY!NOTE: To be very clear, Apple confirmed that “macOS Mojave — including all dot releases of this operating system — will be the last major version of macOS to support the legacy 32-bit codecs identified in this article.”This is because these encoders are like mini-applications that require support from the operating system in order to convert the binary data of our media files into sound and light. Bill Roberts, Senior Director of Product Management for Audio and Video Products at Adobe Systems, sent me the following email when I asked him about their blog:“Adding support for ProRes on Windows is part of Adobe’s longstanding commitment to broad format support and connected workflows. (This continues to reinforce our past conversations that archives need to be actively managed, they can’t just sit on the shelf.)Apple has announced a new, up-coming version of Final Cut Pro X (shipping in the first-half of 2019) that will help identify these legacy codecs, then convert them into ProRes. As well, Apple Compressor can convert legacy formats into ProRes (or other formats) for both individual clips or batches.NOTE: Apple also suggests using QuickTime Player X for conversion, however, not all transcodes using this method convert to ProRes, my recommendation is to avoid using it.I’m also expecting third-party developers to announce tools to help find and convert these legacy media files, but nothing is announced yet.FfMPEG is also a potential solution but, as Jon Chappell points out below, while ffMPEG works technically, there are a number of legal issues that make using it problematic.ADOBE, AVID AND BLACKMAGIC DESIGN COMMENTSThis announcement also potentially impacts projects created over the last twenty years using Adobe, Avid and Blackmagic Design software.Adobe announced this morning that their media apps now support exporting ProRes on Windows – something that has been lacking until today. (Apple’s webpage lists these – and there are a lot of them.)For past projects that are stored using an expiring codec, you need to think about converting your media files into something that will last for the longer-term. At the system-level, Apple will continue to support PCM-encoded audio data — including PCM data within the formats listed above.For all future projects, take a look at the currently supported codec list and make sure you are shooting in a format that will be supported in the future. I reached out to Apple for a clarification and learned:The reason Linear PCM was not included is because it isn’t a file format or codec in the traditional sense, but rather a way to digitally represent audio signals as computer-accessible data.AIFF and WAV are both file formats that typically contain uncompressed PCM audio data. CLARIFICATION ON LINEAR PCM AUDIOAfter reading this, Philip contacted me asking about ongoing support for Linear PCM audio, because it wasn’t on the list. As you know, Adobe was the first developer to release versions of their apps with this functionality. This will ensure that ProRes works great in mixed Mac and PC environment and is the best choice for converting legacy media that is reliant on 32-bit codecs. As operating systems evolve, we will continue to offer robust native QuickTime support across platforms in our video and audio tools.” Apple this morning added: “We are working with developers to enable official ProRes encoding on Windows. For more details, please go here. Here’s the brief response I received from Blackmagic Design. Read it here.In answer to an email, Philip Hodgetts commented: “As you see in the Avid , their apps will not be bothered by Apple’s end of life of 32-bit QuickTime because Avid’s apps use 64-bit decoders and encoders. Similarly Adobe has moved away from using any third party codecs, mostly developing or licensing their own implementation (as we see today with ProRes).” I also contacted Blackmagic Design to determine what the impact will be on DaVinci Resolve. Building on their initial press release, Avid provided a MUCH more detailed explanation of how this affects Media Composer, as well as a full list of supported media codecs. As I did with Adobe, I also contacted Avid to learn how Avid Media Composer editors will be affected by Apple’s decision. Read it here.Avid issued an initial press statement. However, there’s no easy way to determine, today, which version of the codec your media is using.(Stock footage clip from Pond5 – note it uses the Motion JPEG B codec, which is deprecated.)A good place to look first for problems are stock footage clips. The codecs use the same words, but the meanings are directly opposite.I think the difference is that Apple’s codecs are based on QuickTime 7, while Avid and Adobe’s versions are based on re-writing the codecs to be native, in other words, supporting a 64-bit operating system. Apple says it won’t support Cineform in the future, while Adobe says it is an excellent codec to use for future-proofing media. Apple says it won’t support DNxHD in the future, while Avid says it is here for the long-term. Heron d130 barcode scanner manualHere’s an article that explains how.Second, make sure you are shooting, editing and finishing all projects in a “future-proof” media format. Make sure auto-updating is turned off for the macOS. Apple is being very careful to let us know about this upcoming change to codec support well in advance. I’m expecting its release in the fall, which is the time that 32-bit applications and media will no longer be supported. Here, for example, this clip from Pond5 uses the soon-to-be-outdated Motion JPEG B codec.NOTE: Here’s an article on how to determine what codecs your media uses.Apple announced macOS Catalina at the 2019 WWDC, in June. Developers, including Apple, have either created or are creating tools that will help find and convert affected legacy formats into 64-bit media.Fourth, take a look at your archives and start thinking today about what you want to save and what you want to let go.
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